Stories that bleed. Voices that roar. LookIndie.

Sharisse’s Nothing Solid is a raw, intimate character study that treats anxiety not as a plot device, but as a living, breathing presence woven into every beat of the script. At its core, the story follows a 25-year-old woman navigating unexplained bouts of vomiting, an unsettling physical manifestation of mental unrest - while she tries to carve out independence amid mounting family pressure and the uneasy terrain of early adulthood.

Finise Avery’s Desperately Seeking Commitment is a witty, self-aware, and deliciously chaotic exploration of modern romance, one where chance meetings, cosmic signs, and questionable decision-making collide in a fast-paced comedic spiral. While the film itself remains in script form here, Avery’s writing paints such a vivid picture that you can practically feel the frenetic New York energy vibrating off the page.

Harry Waldman’s Bay For Blood is a taut, atmospheric short that leans into tension not through spectacle, but through the quiet, haunting burden of unresolved history.

Leonardo Valenti’s TV Man is the kind of scrappy, imaginative zero-budget short that reminds you why DIY cinema has such enduring charm. Shot in 1997 with nothing more than an S-VHS camera, two VCRs, a small audio mixer, and the enthusiasm of three friends, the film plays like a spirited love letter to the era’s guerrilla filmmaking - echoing the textures of Clerks, Slacker, and early Rodriguez, but with a distinctly Italian wink.

Simone Sarantuya’s GAIA is a hypnotic, meditative short that transcends traditional storytelling, offering instead a poetic visual exploration of the Greek mythological figure Gaia, the Earth Mother.

A heartfelt comedy about second chances, addiction recovery, and the powerful love between generations. After blowing a million-dollar lottery win, Louie is forced to move in with his tough, no-nonsense grandma. Together, through clashes and laughter, they find a path to healing.